Zero distortion.
The ultimate 14-24mm
wide-aperture wide-aperture zoom lens.

Setting a new standard for excellence
in ultra-wide-angle lenses

Leveraging major manufacturing advances at the Aizu factory, SIGMA is now producing ultra-high-precision molded glass aspherical lens elements as large as φ80mm and incorporating them in new products. This premier optical technology promises to set a new standard for excellence in ultra-wide-angle lenses.

For the Art line, SIGMA began development simultaneously of two ultra-wide-angle lenses offering the key focal length of 14mm: one prime, and one zoom. In 2017, the company launched the 14mm F1.8 DG HSM | Art as the ultimate ultra-wide-angle prime lens. This lens offers outstanding image quality in combination with F1.8 brightness.

Now SIGMA is introducing the 14-24mm F2.8 DG HSM | Art as the ultimate ultra-wide-angle zoom. While minimizing distortion, this lens offers outstanding F2.8 brightness throughout the zoom range and delivers top-level image quality at every focal length and every shooting distance. For these reasons, it is the definitive large-diameter ultra-wide-angle zoom lens.


Aspherical lens elements used for
SIGMA 18-35mm F1.8 DC HSM | Art (left) and
SIGMA 14-24mm F2.8 DG HSM | Art (right).

Features

Outstanding Art line image quality

Designed to team up with 50-megapixel-plus cameras

  • FLD glass
  • SLD glass
  • Aspherical lens

Designed to team up with 50-megapixel-plus cameras and offer top-level optical performance throughout the zoom range, the 14-24mm F2.8 DG HSM | Art incorporates three FLD glass elements, three SLD glass elements, and three aspherical lens elements, including one large-diameter aspherical element. Effective distribution of these high-refractive-index glass elements further enhances the corrective effect of the FLD and SLD glass. This optical system minimizes transverse chromatic aberration and other optical aberrations, resulting in outstanding high-resolution image quality.

The first element in the optical system is a large-diameter aspherical lens. Optimizing the power distribution of this and the other lens elements minimizes distortion to 1% or lower.* As a result, points of light appear as points without streaking from the center of the image to the edge, and the light volume is also abundant throughout the frame. In addition, simulations performed from the design stage onward have helped minimize flare and ghosting. In combination, these technologies ensure excellent ultra-wide-angle performance.

* At infinity focus

Distortion

Vignetting

F2.8
F5.6
F11

Exclusive low-dispersion glass

The degree to which light is refracted by glass depends on the light’s wavelength. This fact causes different colors of light to focus at slightly different points. The result is chromatic aberration, the color fringing that is particularly noticeable in telephoto lenses. Most chromatic aberration can be removed by combining a high-refractivity convex lens element with a low-refractivity concave element. Yet residual chromatic aberration known as “secondary spectrum” may still remain. To minimize this secondary spectrum, which can be a serious issue with conventional lenses, SIGMA lenses feature up to three types of exclusive low-dispersion glass offering superior performance: ELD (Extraordinary Low Dispersion), SLD (Special Low Dispersion) and FLD (“F” Low Dispersion). In particular, FLD glass offers ultra-low dispersion in combination with high transmittance and the anomalous dispersion characteristics of fluorite. Meticulous deployment of these types of exclusive low-dispersion glass and optimization of power distribution gives SIGMA lenses superlative image rendition undiminished by residual chromatic aberration.

Designed to minimize flare and ghosting

From an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. SIGMA’s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in backlit conditions.

Compatible with Canon Lens Aberration Correction*

The Canon mount lens is compatible with the Canon Lens Aberration Correction function. Matching the optical characteristics of the lens, these functions perform in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more.

* Function not available on all Canon cameras. Further, available corrections may vary by Canon camera model.

Professional specifications

Professional specifications

Fast AF with full-time manual focus

Full-time manual focus function allows the lens to be switched to manual focus simply by rotating the focus ring.

Note: The operation of full-time MF may vary based on mount type.

High-precision,
rugged brass bayonet mount

The brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.

Rounded diaphragm

The 9-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image.

Introducing new Front
Conversion Service

Today’s virtual reality creators favor multi-camera videography that leverages the capability of ultra-wide-angle lenses. Addressing this trend, SIGMA is offering the new Front Conversion Service (charges apply), in which SIGMA converts the petal-type hood of the 14-24mm F2.8 DG HSM | Art lens to an exclusive round component. This altered front structure allows the lens to be deployed with greater freedom in multi-camera VR videography. The new front also helps prevent the lens from interfering with other lenses or from casting a visible shadow. The use of this service has no impact on the validity of the product warranty.
.

Essentials

You’ll find our philosophy and craftsmanship
in every product

Our new lineup fully expresses our approach to lenses and photography itself. All of our lenses belong to one of three lines—Art, Contemporary, or Sports—all of which share our development philosophy and advanced manufacturing system. High performance, high quality, and high end in every respect, these lenses give people who love photography lasting value and consistent, exciting results. The secret is our passion for craftsmanship that we put into every production process and every product.

Specifications

14-24mm F2.8 DG HSM | Art

Lens Construction

  • FLD glass
  • SLD glass
  • ASPHERICAL LENS

Lens Construction

  • 17 elements in 11 groups

Angle of View

  • 114.2° – 84.1°

Number of Diaphragm Blades

  • 9 (Rounded diaphragm)

Minimum Aperture

  • F22

Minimum Focusing Distance

  • 26cm* / 10.2 in.* * At 24mm end of the zoom range

Maximum Magnification Ratio

  • 1:5.4

Dimensions (Diameter × Length)

  • Φ96.4mm × 135.1mm /
    Φ3.8in. × 5.3in.
  • Sony E-Mount
    φ85.0mm × 133.0mm / φ3.3in. × 5.2in.
  • *The length of a lens is measured from the filter surface to its mount.

Weight

  • 1,150g / 40.6oz.

Edition Number

Supplied Accessories

  • Case and cover lens cap (LC964-01) supplied

Corresponding AF Mounts / Barcode No.

  • SIGMA SA-Mount
    00-85126-21256-8
  • Nikon F Mount
    00-85126-21255-1
  • Canon EF Mount
    00-85126-21254-4

Technologies

Performance / Data

MTF Chart

Diffraction MTF

Geometrical MTF

The MTF chart gives the result at the wide-open aperture
Spatial frequency S:Sagittal Line M:Meridional Line
10lp/mm
30lp/mm

SIGMA Glossary“>MTF chart guide

Distortion

SIGMA Glossary“>Distortion guide

Vignetting

F2.8
F5.6
F11

Product Lineup

14-24mm F2.8 DG HSM | Art

  • SIGMA SA Mount

    Case, Cover Lens Cap LC954-01 supplied.
    00-85126-21256-8
  • Nikon F Mount

    Case, Cover Lens Cap LC954-01 supplied.
    00-85126-21255-1
  • Canon EF Mount

    Case, Cover Lens Cap LC954-01 supplied.
    00-85126-21254-4

FAQ

 

Contact

For more information please contact your nearest service center.

Accessories

Supplied Accessories

COVER LENS CAP LC964-01

Barcode
00-85126-93661-7

REAR CAP LCR Ⅱ

* The image is for SIGMA.

  • SIGMA SA-mount

    00-85126-92949-7
  • Nikon F mount

    00-85126-92950-3
  • Canon EF mount

    00-85126-92951-0

Separately Sold Accessories

REAR FILTER HOLDER FHR-11

The Rear Filter Holder FHR-11 is an accessory that enables photographers to use a filter sheet with the lens.

Applicable Products.
SIGMA 14mm F1.8 DG HSM | Art for Canon
SIGMA 14-24mm F2.8 DG HSM | Art for Canon
* Only available for the Canon mount lens.

Rear filter holder installing service

Barcode
00-85126-93486-6

USB DOCK UD-01

By connecting a SIGMA Art, Contemporary, or Sports lens to a computer with the SIGMA USB DOCK, photographers can update the lens firmware and adjust focus position and other parameters.

  • SIGMA SA-mount

    00-85126-87856-6
  • Canon EF mount

    00-85126-87854-2
  • Nikon F mount

    00-85126-87855-9

MOUNT CONVERTER MC-11

The SIGMA MOUNT CONVERTER MC-11 allows you to use your SIGMA SA mount and SIGMA EOS mount interchangeable lenses with the Sony E-mount camera body.

  • SIGMA SA-E SIGMA SA-mount

    00-85126-93251-0
  • CANON EF-E Canon EF mount

    00-85126-93250-3

MOUNT CONVERTER MC-21

The SIGMA MOUNT CONVERTER MC-21 allows SIGMA SA mount and SIGMA’s CANON EF mount interchangeable lens owners to use their lens investment on L-Mount camera bodies.

  • SIGMA SA-L SIGMA SA-mount

    00-85126-93724-9
  • CANON EF-L Canon EF mount

    00-85126-93723-2

Catalogs / Resources

Manuals / Brochures

Impressions / Samples

14-24mm F2.8 DG HSM | Art Impression

And, their ultra-wide-angle zoom lens family is now joined by the SIGMA 14-24mm F2.8 DG HSM | Art. It is made to display no distortion just like the 12-24mm F4 DG HSM | Art, but is also designed to control sagittal coma flare.

SIGMA 14-24mm F2.8 DG HSM | Art Special film “CHOICES”

Introduction The definitive large-diameter ultra-wide-angle zoom lensー SIGMA 14-24mm F2.8 DG HSM | Artーoffers outstanding F2.8 brightness throughout the zoom range and delivers top-level image quality at every focal length and every shooting distance.

My choice, in every situation.

The Three F2.8 Zooms The three F2.8 zooms consisting of wide, standard and telephoto are also known as “The Big Three”.

blur

Dad wasn’t exactly stylish, and neither were the photographs he took—at least on the surface. But what truth did they conceal?