See the bigger picture.

The all-new 24mm F2 DG DN | Contemporary delivers exceptional edge-to-edge rendering power in an ultra-compact, all-metal body.
This impressive, wide-angle, I series prime is now available for L-Mount and Sony E-mount systems.

The 24mm F2 DG DN | Contemporary premium compact prime is the latest prime lens to be added to SIGMA’s growing I series range. It joins four existing I series lenses as well as the new 90mm F2.8 DG DN | Contemporary, offering superb optical performance, a bright F2 aperture, an all-metal build and a manual aperture ring. Designed from the ground up for mirrorless systems it feels perfectly-balanced on modern full-frame bodies, and boasts exceptional resolving power that can keep up with the latest ultra-high-resolution cameras.

The lens’s advanced optical design produces sharp, high-contrast results from the center of the frame to the far corners, and together with its F2 aperture and wide angle-of-view it’s an excellent choice for night sky photography, events and interiors. Owing to its compact size the lens can be carried around effortlessly, which makes it perfect for day-to-day use. The high quality, all-metal construction, which is found on all of SIGMA’s I series models, makes the experience of owning and operating this lens extremely satisfying.

This new full-frame 24mm F2 prime is designed for photographers who need a sharp, fast, robust, wide-angle optic that will not weigh them down. It is available for L-Mount and Sony E-mount systems.

Impressions / Samples

Pauline Chardin
Pauline Chardin
Maik Lipp
Aya Iwasaki
Maik Lipp

Features

I series
Premium Compact Primes
for mirrorless users

The SIGMA I series features full-frame-compatible lenses that offer mirrorless users a new and better alternative, both in the experience of shooting with the lens and in the impressive results it is able to achieve.
One of the key advantages of mirrorless cameras is their smaller form-factor, and this new 24mm optic is designed to be perfectly matched to these more compact systems without sacrificing performance. This combination of superb optical quality with exceptional portability, not previously possible with DSLR systems, will bring new opportunities to this and future generations of photographers.

Simultaneously, SIGMA is aware that, in this day and age when we have such huge diversity when it comes to what we use to photograph, as represented by smartphones, people look for something more than a mere act of “taking pictures” when they choose to own a camera and lenses.
SIGMA’s excellence in development and processing technologies has been built up since it was founded in 1961, and has become further sophisticated with the introduction of the SIGMA Global Vision in 2012. With this as a base SIGMA has given careful thought to how photographers use and enjoy their lenses, including optical design, advanced functionality, build quality and the experience of picking up and using the lens, and with all of this carefully considered the I series was born.

20mm, 24mm, 35mm and 65mm
– four lenses with F2 brightness in the lineup

New standards of optical performance for
the Contemporary line

The SIGMA 24mm F2 DG DN | Contemporary, like the SIGMA 35mm F2 DG DN | Contemporary and the SIGMA 65mm F2 DG DN | Contemporary, combines the highest level of optical performance even at its maximum aperture of F2 and a well-balanced body.

The lens uses two SLD glass elements and one FLD glass element to correct axial chromatic aberration, which is a particular concern with bright lenses. It also incorporates two high-precision glass-molded aspherical elements, made possible by the processing technology of SIGMA’s sole production facility in Aizu. This has enabled the total number of lens elements to be kept down and the size and weight of the lens to be reduced, while providing excellent correction of various aberrations.

In anticipation of wide-angle lens applications, SIGMA’s optical designers have ensured the lens resolution is extremely high, and is uniform from the center to the periphery of the image. Sagittal coma flare is also well suppressed, giving the lens a high degree of rendering power that makes it ideal for night sky photography.

The AF drive system incorporates a quiet, high-speed stepping motor. This allows photographers to capture every detail of the spacious 24mm scene with light AF.

Use of multiple high-precision
aspherical glass molded lenses

The surface of molds for glass molding, which is a process that forms optical components by pressing glass materials at high temperatures, requires ultra-high precision. SIGMA uses high-precision molds whose surfaces are controlled with an accuracy of ±5 nanometers (0.000005 mm) or smaller. High precision aspherical glass molded lenses archives both good aberration correction and compact lens size.

Mold for aspherical glass molded lenses

Exceptional I series build quality
with a compact form-factor

All I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability that improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with SIGMA’s cutting-edge metalworking technology are also used in SIGMA’s CINE LENS line-up for professional cinematographers and provide a tactile, ergonomic feel that make the lens a pleasure to use.

The cover ring between the focus ring and the aperture ring has hairline processing that is also used for the rear cylinder of the Art line. This covering functions as a finger hold when attaching or detaching the lens.

Magnetic metal lens cap

The I series lenses* are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.

*Except 45mm F2.8 DG DN | Contemporary

*This image is 35mm.
*Cannot be used when a filter is attached.

Magnetic metal lens cap holder
LENS CAP HOLDER CH-11 (sold separately)

When a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.
With the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.

Technologies

Lens construction: 13 elements in 11 groups, with 1 FLD, 2 SLD and 2 aspherical lens elements


Inner focus system


Compatible with high-speed autofocus


Stepping Motor


Compatible with Lens Aberration Correction
*Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
*On cameras where lens aberration correction is controlled with ‘ON’ or ‘OFF’ in the camera menu, please set all aberration correction functions to ‘ON'(AUTO).


Support DMF and AF+MF


Super Multi-Layer Coating


Aperture ring


Focus Mode Switch


Support for switching between Linear focus / Non-linear focus ring settings (for L-Mount only)


Petal-type lens hood (LH656-02)


Magnetic metal lens cap (LCF62-01M)


Mount with dust and splash resistant structure


Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)


Designed to minimize flare and ghosting


Every single lens undergoes SIGMA’s proprietary MTF measuring system


9-blade rounded diaphragm


High-precision, durable brass bayonet mount

ESSENTIALS

You’ll find our philosophy and craftsmanship
in every product

Our new lineup fully expresses our approach to lenses and photography itself. All of our lenses belong to one of three lines—Art, Contemporary, or Sports—all of which share our development philosophy and advanced manufacturing system. High performance, high quality, and high end in every respect, these lenses give people who love photography lasting value and consistent, exciting results. The secret is our passion for craftsmanship that we put into every production process and every product.

Specifications

24mm F2 DG DN | Contemporary

Lens Construction

  • SLD glass
  • FLD glass
  • ASPHERICAL LENS

Lens Construction

13 elements in 11 groups

Angle of View

  • 84.1°

Number of Diaphragm Blades

9(Rounded diaphragm)

Minimum Aperture

F22

Minimum Focusing Distance

24.5cm / 9.7in.

Maximum Magnification Ratio

1:6.7

Filter size

φ62mm

Dimensions (Diameter × Length)

  • L-Mount
    φ70mm × 72mm / φ2.8in. × 2.8in.
  • Sony E-Mount
    φ70mm × 74mm / φ2.8in. × 2.9in.
  • *The length of a lens is measured from the filter surface to its mount.

Weight

  • L-Mount
    365g / 12.9oz.
  • Sony E-Mount
    360g / 12.7oz.

Edition Number

C021

Supplied Accessories

Magnetic metal lens cap (LCF62-01M), Petal-type lens hood (LH656-02) included.

Corresponding AF Mounts / Barcode No.

  • L-Mount
    00-85126-40369-0
  • Sony E-Mount
    00-85126-40365-2

Performance / Data

MTF Chart

Diffraction MTF

Geometrical MTF

The MTF chart gives the result at the wide-open aperture
Spatial frequency S:Sagittal Line M:Meridional Line
10lp/mm
30lp/mm

MTF chart guide

Product Lineup

L-Mount

Magnetic metal lens cap (LCF62-01M), Petal-type lens hood (LH656-02) included.

Barcode
00-85126-40369-0

Sony E-mount

Magnetic metal lens cap (LCF62-01M), Petal-type lens hood (LH656-02) included.

Barcode
00-85126-40365-2

FAQ

 

Contact

For more information please contact your nearest service center.

Accessories

Supplied Accessories

FRONT CAP LCF62-01M

Barcode
00-85126-93865-9

FRONT CAP LCF-62mm Ⅲ

Barcode
00-85126-92981-7

LENS HOOD LH656-02

Barcode
00-85126-93953-3

REAR CAP LCR Ⅱ

* The image is for SIGMA.

  • L-Mount

    00-85126-93725-6
  • Sony E-mount

    00-85126-92987-9

Separately Sold Accessories

LENS CAP HOLDER CH-11

Barcode
00-85126-93866-6

USB DOCK UD-11

WR PROTECTOR 62mm

Water-repellent, Antistatic type. Protector is developed to protect the lens surface from dirt and dust as well as scratches. It is an ideal filter for regular use as it is completely colorless so does not affect color reproduction.

* Thinner frame wide type.

Barcode
00-85126-93093-6

PROTECTOR 62mm

Normal type. Protector is developed to protect the lens surface from dirt and dust as well as scratches. It is an ideal filter for regular use as it is completely colorless so does not affect color reproduction.

* Thinner frame wide type.

Barcode
00-85126-93106-3

WR UV FILTER 62mm

UV Water-repellent, Antistatic type. UV filter prevents the bluish tone that generates when the weather is fine, by absorbing ultraviolet rays. It is effective in most situations, such as landscape, portrait and general photography on a sunny day. It is also an ideal filter for regular use as it is completely colorless so does not affect color reproduction.

* Thinner frame wide type.

Barcode
00-85126-93067-7

WR CIRCULAR PL FILTER 62mm

PL Water-repellent, Antistatic type. Circular PL filter removes the reflection of water surface and glass windows, and increases the contrast in landscape photography.

* Thinner frame wide type.

Barcode
00-85126-93080-6

Catalogs / Resources

Manuals / Brochures

Impressions / Samples

SIGMA I series Concept Movie 2022

The SIGMA I series is a set of full-frame compatible lenses that offer new value to mirrorless systems. SIGMA breaks the new ground with a wide range of focal lengths. The Stage is Set.

I see what you see. | SIGMA I series special movie

The special movie depicts daily life with the I series and the small but important joys that come with it.

I believe that modernity can be a timeless quality. | Pauline Chardin

For this getaway to the French seaside resort of La Grande Motte, the SIGMA 24mm F2 DG DN | Contemporary was perfect to capture the out-of-size architecture. I took it with me everywhere without a second thought, to the beach, on nighttime walks, and even to the top of the ferris wheel. When you’re there, you never really fully realize the scale—and the amount of detail—that goes on in this kind of crazy architecture. Looking at the pictures afterwards made me pause when I saw how sharply the lens captured the intricacies of the scenes.

I love minimal and clean photography. | Maik Lipp

The SIGMA 24mm F2 DG DN | Contemporary makes a great impression on my SIGMA fp L and my Sony α7 III. The all metal housing is robust and absolutely beautiful to look at. It also provides great haptic feedback, which I enjoy immensely. Also the image quality and the handling are very impressive on both camera systems. The results are mind – blowing, to be honest.